Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Friday
Sep172021

Filosofía pirata y trabajo editorial / Pirate Philosophy and Editorial Work

An e-book of essays on pirate philosophy, edited by Gabriela Méndez Cota in Mexico, has just come out:

Filosofía pirata y trabajo editorial (Pirate Phiosophy and Editorial Work)

It's partly influenced by, and engaging with, my work on Pirate Philosophy, and a lecture I gave for Gabriela at her institution in Mexico city, Universidad Iberoamericana, in September 2019: 'Liberalism Must Be Defeated: On the Obsolescence of Bourgeois Theory in the Anthropocene'. (A Spanish translation of my lecture is available here.)

But - as is indicated by the 'related posts' section at the bottom of the page - Filosofía pirata y trabajo editorial/ Pirate Philosophy and Editorial Work is also influenced by the work of my Centre for Postdigital Cultures colleagues Janneke Adema and Rebekka Kiesewetter on radical open access, feminism and piracy. 

Tuesday
Jun082021

The Postdigital City for Post-Pandemic Times - free online conference

Registration is now open for next week’s The Postdigital City for Post-Pandemic Times conference.

Attendance is free and all are welcome, but please register here: 

https://www.coventry.ac.uk/research/about-us/research-events/2021/the-postdigital-city/


The conference webpage is here:

https://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures/cpc-2021-conference/

 

Monday
May172021

'La modernidad fue un "blip" en el sistema' 

This interview with me, '"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall'] has just appeared in the Colombian weekly magazine Semana. It was conducted by Alejandro Pérez Echeverry when I visitied Bogotá to give a keynote at Dispositivos institucionales, universitarios, editoriales, 17, Instituto de Estudios Críticos, Centro Cultural Gabriel García Márquez, late January, early February, 2020. 

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'At the end of 2020, before the covid-19 and misery led us to awaken as a society to the point of dignity and resistance, Gary Hall passed through Colombia. He did it within the framework of the seminar 'Cátedra 9 Viento - Critical Imagination'. Before his lecture “Contemporary Editorial Devices”, Hall spoke with us.

 

As he makes clear in this interview, it is many things, he prefers it that way. He avoids the title of "expert" that many avidly seek and is not afraid to say that he plays something else, that he does not seek to be a "brand." For this reason, even though a photo was taken for this article, he does not include one or in his own biography.

 

In this talk, Hall talks about devices of disruption in universities, in the publishing field and in the media, also of finding hope in community movements and in their crusade to regain their self-determination over the interests of multinationals. Hall exposes the hypocrisies of the media system and also hits hard on the educational system of his country and an elite that believes they know what the public "needs" to know. He reviews Shakespeare and the impacts of Gutenberg's invention, talks about Michel Foucault, the impact of photography on art, Napster, Spotify, Netflix and Facebook....'

 

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The full interview is available in Spanish here. (Put the following url into Google Chrome and it'll provide an English translation for you: https://www.semana.com/cultura/articulo/la-modernidad-fue-un-blip-en-el-sistema-sobre-teorias-y-disrupciones-con-gary-hall/202105/) 

 

Monday
Mar222021

hyposubjects: on becoming human, by Timothy Morton and Dominic Boyer - new book from Open Humanities Press

Announcing the publication of hyposubjects: on becoming human, by Timothy Morton and Dominic Boyer.

Like all Open Humanities Press books, hyposubjects is available for free:

http://www.openhumanitiespress.org/books/titles/hyposubjects/

The time of hypersubjects is ending. Their desert-apocalypse-fire-and-death cults aren’t going to save them this time. Meanwhile the time of hyposubjects is just beginning. This text is an exercise in chaotic and flimsy thinking that will possibly waste your time. But it is the sincere effort of two reform-minded hypersubjects to decenter themselves and to help nurture hyposubjective humanity. Here are some of the things we say in this book: 1) Hyposubjects are the native species of the Anthropocene and are only just now beginning to discover what they might be and become. 2) Like their hyperobjective environment, hyposubjects are also multiphasic and plural: not-yet, neither here nor there, less than the sum of their parts. They are, in other words, subscendent (moving toward relations) rather than transcendent (rising above relations). They do not pursue or pretend to absolute knowledge or language, let alone power. Instead they play; they care; they adapt; they hurt; they laugh. 3) Hyposubjects are necessarily feminist, colorful, queer, ecological, transhuman, and intrahuman. They do not recognize the rule of androleukoheteropetromodernity and the apex species behavior it epitomizes and reinforces. But they also hold the bliss-horror of extinction fantasies at bay, because hyposubjects’ befores, nows, and afters are many. 4) Hyposubjects are squatters and bricoleuses. They inhabit the cracks and hollows. They turn things inside out and work miracles with scraps and remains. They unplug from carbon gridlife; they hack and redistribute its stored energies for their own purposes. 5) Hyposubjects make revolutions where technomodern radars can’t glimpse them. They patiently ignore expert advice that they do not or cannot exist. They are skeptical of efforts to summarize them, including everything we have just said.

hyposubjects is published in our Critical Climate Chaos: Irreversibility series, which is edited by Tom Cohen and Claire Colebrook:

http://www.openhumanitiespress.org/books/series/ccc2-irreversibility/

Author Bios

Dominic Boyer is a writer, media maker and anthropologist. He currently teaches at Rice University where he also served as Founding Director of the Center for Energy and Environmental Research in the Human Sciences (2013-2019). His most recent book is Energopolitics (Duke UP, 2019), which is part of a collaborative duograph, “Wind and Power in the Anthropocene,” with Cymene Howe, which studies the politics of wind power development in Southern Mexico. With Howe, he also helped make a documentary film about Iceland’s first major glacier (Okjökull) lost to climate change, Not Ok: a little movie about a small glacier at the end of the world (2018). In August 2019, together with Icelandic collaborators, Boyer installed a memorial to Okjökull’s passing, an event that attracted media attention from around the world. He is pursuing anthropological research with floodies in Houston, Texas, and on electric futures across the world. And he is developing a TV series, Petropolis, about relations and reckonings in Houston TX.

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. They have collaborated with Björk, Laurie Anderson, Jennifer Walshe, Hrafnhildur Arnadottir, Sabrina Scott, Adam McKay, Jeff Bridges, Justin Guariglia, Olafur Eliasson, and Pharrell Williams. Morton co-wrote and appears in Living in the Future’s Past, a 2018 film about global warming with Jeff Bridges. They are the author of the libretto for the opera Time Time Time by Jennifer Walshe. They are the author of Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), eight other books and 250 essays on philosophy, ecology, literature, music, art, architecture, design and food. Morton’s work has been translated into 10 languages. In 2014, Morton gave the Wellek Lectures in Theory. They blog regularly at Ecology Without Nature.

 

Wednesday
Mar172021

Can We Unlearn Liberal Individualism? - book launch for A Stubborn Fury, 25 March via Zoom

Can We Unlearn Liberal Individualism Like We Can Unlearn Racism and Sexism? Join us for this ‘In-conversation’, where Gary Hall and Carolina Rito address this question while discussing Hall's latest book, A Stubborn Fury: How Writing Works in Elitist Britain.

Thurs 25 March 2021, 7.00pm (GMT), free online event, via Zoom

Go here to register:

https://www.eventsforce.net/cugroup/177/regist

Other questions that will be addressed during the event include: 

·      How come so much writing in England is realist, humanist and anti-intellectual?
·      Is all great literature pirated?
·      Why are Oxbridge-educated journalists obsessed with protecting ‘ordinary’ people from difficult language?
·      What do we need most – another theory of revolution or a revolution of theory?
·      Is everyone writing their memoirs today or does it just seem like it?
·      And why is Gary so mean to Tom McCarthy?

 

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