Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

« Registration Now Open for Radical Open Access II – The Ethics of Care | Main | The Inhumanist Manifesto: Extended Play »
Tuesday
Jan092018

Launch of the Centre for Postdigital Cultures, 7 Feb 2018

Launch of the Centre for Postdigital Cultures
7th February 3.00pm Disruptive Media Learning Lab

 

Sign up here: https://www.eventbrite.co.uk/e/launch-of-the-centre-for-postdigital-cultures-tickets-41968258190

You are invited to the launch of the Centre for Postdigital Cultures (CPC), a new Faculty Research Centre at Coventry University. The launch will include keynote talks by 3 internationally esteemed speakers:

Cornelia Sollfrank (Zurich University of the Arts)

Monika Bakke (Adam Mickiewicz University)

Mark Amerika (University of Colorado Boulder)


Sign up here (https://www.eventbrite.co.uk/e/launch-of-the-centre-for-postdigital-cultures-tickets-41968258190) to attend and to: 

Listen to talks by ground breaking theorists and artists   
Find out about Coventry University’s newest research centre 
Meet the Postdigital Cultures community 
Enjoy a unique performance from the Sound Book Project and a glass of wine!

 

The Centre for Postdigital Cultures brings together media theorists, practitioners, activists and artists. It draws on cross-disciplinary ideas associated with open and disruptive media, the posthuman, the posthumanities, the Anthropocene and the Capitalocene to explore how innovations in postdigital cultures can help 21st century society to respond to the challenges it faces at a global, national and local level:
 
how we receive, consume and process information  
how we learn, work, and travel  
how we engage and regenerate our communities  
 
In particular, the Centre for Postdigital Cultures endeavours to promote the transformation to a more socially just and sustainable ‘post-capitalist’ knowledge economy. To this end, the CPC’s research includes projects funded by Jisc, the EU, the National Lottery Fund, and the Arts and Humanities Research Council. Members of the CPC are involved in editorial work for peer-reviewed journals such as Cultural Studies and Culture Machine, and in developing innovative organisations such as Open Humanities Press and the Radical Open Access Collective.
 
What Do We Mean By Postdigital Cultures?
The Centre for Postdigital Cultures belongs to the broader digital humanities field. Today, however, ‘the digital’ can no longer be understood as a separate domain of media and culture. If we actually examine the digital - rather than taking it for granted we know what it means - we soon see that digital information processing is now present in every aspect of our lives. This includes our global communication, entertainment, education, energy, banking, health, transport, manufacturing, food, and water-supply systems. The very idea of digital humanities – based as it is on a presumed difference between computing and the digital on the one hand, and the humanistic and human on the other – is therefore somewhat anachronistic and inappropriate. Attention needs to turn from ‘the digital’ to the various overlapping processes and infrastructures that shape and organise the digital, and that the digital helps to shape and organise in turn. The CPC investigates such enmeshed digital models of culture, society, and the creative economy for the 21st century world.
 
This is why the CPC has adopted the term postdigital cultures. Postdigital cultures describes what comes: after the digital; after the digital humanities; and after the humanities - including humanism and the human (i.e. the posthumanities).
Research areas covered by the centre include:
Post-capitalist Economies
Creative Archiving and International Heritage
Digital Arts and Humanities
Posthumanities
Affirmative Disruption and Open Media
The 21st Century University and Art School


One of the aims of the CPC is to envisage alternative forms for society in the 21st century world of postdigital media cultures, beyond the all-pervasive algorithmic surveillance and control of market capitalism and its metrics. Exploring issues of collaboration, community, the commons and the ‘Capitalocene’, the goal is to facilitate new articulations of culture and society that call for a radical rethinking of the relationship between the human, technology, the economy and the environment.

To celebrate our launch we have invited 3 internationally esteemed artists and academics to deliver public keynote lectures, which will be followed by a drinks reception and a performance by the Sound Book Project.

Where:

The Disruptive Media Learning Lab, 3rd floor, Lanchester Library, Coventry University. 

When:

February 7th 3-8pm

 

Schedule:

3:00-3:15pm: Opening introduction
3:15-4:00pm: Keynote Monika Bakke
4:00-4:45pm: Keynote Cornelia Sollfrank
4:45-5:15pm: Coffee break 
5:15-6:00pm: Keynote Mark Amerika and closing
6:00-8:00pm: Wine reception and performance by the Sound Book Project
 

 

Sound Book Project is a group of collaborating artists and musicians who use books as instruments. Books will be wound, sprung, strummed, slapped and thrown to create a soundscape that evolves around the performers. By interacting with books in new and surprising ways, the Sound Book Project enable books to speak for themselves.

 

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