Recent-ish publications

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

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Wednesday
Jun122024

Dark Botany: The Herbarium Tales, edited by Prudence Gibson, Sigi Jottkandt, Marie Sierra and Anna Westbrook

We're delighted to announce the publication of Dark Botany: The Herbarium Tales, edited by Prudence Gibson, Sigi Jottkandt, Marie Sierra and Anna Westbrook.

Available open access and in print: http://www.openhumanitiespress.org/books/titles/dark-botany/

Dark Botany activates the material and sensorial wonder of plants—their energy, their mysterious allure, their capacities and skills, their independent might. In this Wunderkammer of critical plant studies essays and plant+artworks, the herbarium emerges as a site of multiple materialities and reflexive forms of counter-narrative. Herbaria specimens come alive as assemblages, telling truths about their dark histories and darker contemporary currents, while reflecting on the complexity of texture, movement, memory, compound structure, chemical emissions and rapid evolution of plants and languages. What one discovers is that herbaria are not static: they are as vital, energetic and enigmatic as the plants in their collections—and as diverse.

With contributions by Giovanni Aloi, Matthew Beach, Tamryn Bennett, Edward Colless, Prudence Gibson, Ryan Gordon, Lisa Gorton, Sigi Jöttkandt, Nick Koenig, Verena Kuni, Anna M. Lawrence, Vanessa Lemm, Rebecca Mayo, Aunty Deirdre Martin, Arina Melkozernova, Elaine Miller, Jacob Morris, Anna Perdibon, Anna Madeleine Raupach, Georgina Reid, Heather Rogers, Betty Russ, Erica Seccombe, Marie Sierra, Christina Stadlbauer, Anna-Sophie Springer, Bart Vandeput, Juliann Vitullo, Anna Westbrook and Maya Martin-Westheimer.

Dark Botany: The Herbarium Tales is an OHP Labs Seedbook:

http://www.openhumanitiespress.org/labs/seedbooks/

It is also part of The Herbarium Tales.

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The Herbarium Tales

http://theherbariumtales.org/

This is a plant studies Australian Research Council Linkage project 2020-23. It is a collaboration between University of NSW, Bundanon Trust and the Sydney Botanic Gardens Herbarium. The interdisciplinary team includes Prudence Gibson UNSW, Sigi Jottkandt UNSW and Open Humanities Press, Sophie O’Brien Bundanon Trust, Marie Sierra Melbourne University and Brett Summerell Royal Botanic Gardens, Sydney.

The project outputs will include three films, two major outdoor artworks, a living book, a city forest, a monograph called The Herbarium and Me and this network of people and plants. Our team is dedicated to redefining the ways plants are understood and valued, and also to deepening recognition and understanding of the ways plants are important actors in political, economic and social relations.

We hope to celebrate and interrogate the agency, in/inter-dependence, and performing subjectivities of plants; we also hope to develop critical understandings of plants as performing actors in bio/phyto-political relations. Lead CI of this project, Prudence Gibson, has written a book entitled The Plant Contract (Brill 2018), which charts a new deal for the vegetal world that centres on an aesthetic of care, via a promise between one person and one plant to take care. This project aims to enact such a philosophy.